Music, Identity, and Community
Paul Kendall
Chapter from the book: Kehoe S. & Wielander G. 2021. Cultural China 2020: The Contemporary China Centre Review.
Part of
Chapter from the book: Kehoe S. & Wielander G. 2021. Cultural China 2020: The Contemporary China Centre Review.
This chapter discusses the role of music in the imagination of self, community, and nation. It includes topics such as Tibetan pop music, ‘anti-extremism’ campaigns in Xinjiang, Cantopop in Hong Kong, and contemporary revivals of ‘red songs’.
3.0 Introduction
Paul Kendall
3.1 Performing Devotion: Revitalised ‘Red Songs,’ Choral Flash Mobs, and National Identity
Sheng Zou
3.2 Rethinking Hong Kong Identity through Cantopop: The 1980s as an Example
Yiu-Wai Chu
3.3 Tibetan Popular Music: Politics and Complexities
Anna Morcom
3.4 Music in the Disciplinary Regimes of Xinjiang’s ‘Anti-Extremism’ Campaign
Rachel Harris
Kendall, P. 2021. Music, Identity, and Community. In: Kehoe S. & Wielander G (eds.), Cultural China 2020. London: University of Westminster Press. DOI: https://doi.org/10.16997/book58.d
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Published on Nov. 29, 2021